Category Archives: Fiction

Deborah Levy with John Freeman, Reading, 30 October 2019 – Video

Recorded at the Lensic Theater in Santa Fe, New Mexico on October 30, 2019.

Deborah Levy, a fellow of the Royal Society of Literature, writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, broadcast on the BBC, and translated widely across the world. The author of highly praised novels, including Hot Milk and Swimming Home (both Man Booker Prize finalists), The Unloved, and Billy and Girl; the acclaimed story collection Black Vodka; and part one of her working autobiography, Things I Don’t Want to Know, she lives in London. Her latest novel, The Man Who Saw Everything, has been long-listed for the 2019 Booker Prize.

This was a Readings and Conversations event.

In this episode, Deborah Levy was introduced by John Freeman, then read from her work. You can find the companion conversation here.

You may learn more about this event on the Lannan website; you may also watch the videos of this event there. Photos from this event are available on Flickr.

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Deborah Levy with John Freeman, Conversation, 30 October 2019 – Video

Recorded at the Lensic Theater in Santa Fe, New Mexico on October 30, 2019.

Deborah Levy, a fellow of the Royal Society of Literature, writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, broadcast on the BBC, and translated widely across the world. The author of highly praised novels, including Hot Milk and Swimming Home (both Man Booker Prize finalists), The Unloved, and Billy and Girl; the acclaimed story collection Black Vodka; and part one of her working autobiography, Things I Don’t Want to Know, she lives in London. Her latest novel, The Man Who Saw Everything, has been long-listed for the 2019 Booker Prize.

This was a Readings and Conversations event.

In this episode, Deborah Levy joined John Freeman in conversation. You can find the companion reading here.

You may learn more about this event on the Lannan website; you may also watch the videos of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Deborah Levy with John Freeman, 30 October 2019 – Audio

Recorded at the Lensic Theater in Santa Fe, New Mexico on October 30, 2019.

Deborah Levy, a fellow of the Royal Society of Literature, writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, broadcast on the BBC, and translated widely across the world. The author of highly praised novels, including Hot Milk and Swimming Home (both Man Booker Prize finalists), The Unloved, and Billy and Girl; the acclaimed story collection Black Vodka; and part one of her working autobiography, Things I Don’t Want to Know, she lives in London. Her latest novel, The Man Who Saw Everything, has been long-listed for the 2019 Booker Prize.

This was a Readings and Conversations event.

You may learn more about this event on the Lannan website; you may also watch the videos of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Sebastian Barry with Daniel Mendelsohn, Reading, 1 May 2019 – Video

Recorded at the Lensic Theater in Santa Fe, New Mexico on May 1, 2019.

Sebastian Barry is a novelist, poet, and playwright. His latest book, Days without End (2016), tells the story of Thomas McNulty, a 17-year-old fleeing the Great Famine in Ireland by enlisting in the U.S. Army in the 1850s. He is sent to fight Sioux and Yurok Indians and, ultimately, fights in the Civil War. The central love story of the novel is between two men and was inspired by Barry’s son’s homosexual relationship. Of his son’s relationship, Barry states, “I look at them and I think, ‘This is not something that needs our tolerance, this is something we should be emulating. There is magnificence here of soul.'”

The New York Times calls Days without End “a dreamlike Western with a different kind of hero.” He is “an orphan, a refugee from Ireland’s Great Famine, a crack shot, a cross-dresser and a halfhearted soldier, but mostly he’s in love with a young man.” In the novel Barry writes, “A man’s memory might have only a hundred clear days in it and he has lived thousands. Can’t do much about that. We have our store of days and we spend them like forgetful drunkards.” Days without End won the 2017 Costa Book of the Year Award, the Walter Scott Prize for Historical Fiction and the Independent Bookseller’s Award.

Barry’s plays include The Steward of Christendom (1995), Our Lady of Sligo (1998), and The Pride of Parnell Street (2007). His novels include A Long Long Way (2005); The Secret Scripture (2008), named Novel of the Year by the Irish Book Awards and Costa Book of the Year; and The Temporary Gentleman (2014). He has won, among other awards, the Kerry Group Irish Fiction Prize, the Independent Booksellers Prize, and the James Tait Black Memorial Prize. A Long Long Way and the top-10 best seller The Secret Scripture were short-listed for the Man Booker Prize. He was born in Dublin in 1955 and lives in County Wicklow, Ireland.

This was a Readings and Conversations event.

In this episode, Sebastian Barry was introduced by Daniel Mendelsohn, then read from his work. You can find the companion conversation here.

You may learn more about this event on the Lannan website; you may also listen to the audio recording of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Sebastian Barry with Daniel Mendelsohn, Conversation, 1 May 2019 – Video

Recorded at the Lensic Theater in Santa Fe, New Mexico on May 1, 2019.

Sebastian Barry is a novelist, poet, and playwright. His latest book, Days without End (2016), tells the story of Thomas McNulty, a 17-year-old fleeing the Great Famine in Ireland by enlisting in the U.S. Army in the 1850s. He is sent to fight Sioux and Yurok Indians and, ultimately, fights in the Civil War. The central love story of the novel is between two men and was inspired by Barry’s son’s homosexual relationship. Of his son’s relationship, Barry states, “I look at them and I think, ‘This is not something that needs our tolerance, this is something we should be emulating. There is magnificence here of soul.'”

The New York Times calls Days without End “a dreamlike Western with a different kind of hero.” He is “an orphan, a refugee from Ireland’s Great Famine, a crack shot, a cross-dresser and a halfhearted soldier, but mostly he’s in love with a young man.” In the novel Barry writes, “A man’s memory might have only a hundred clear days in it and he has lived thousands. Can’t do much about that. We have our store of days and we spend them like forgetful drunkards.” Days without End won the 2017 Costa Book of the Year Award, the Walter Scott Prize for Historical Fiction and the Independent Bookseller’s Award.

Barry’s plays include The Steward of Christendom (1995), Our Lady of Sligo (1998), and The Pride of Parnell Street (2007). His novels include A Long Long Way (2005); The Secret Scripture (2008), named Novel of the Year by the Irish Book Awards and Costa Book of the Year; and The Temporary Gentleman (2014). He has won, among other awards, the Kerry Group Irish Fiction Prize, the Independent Booksellers Prize, and the James Tait Black Memorial Prize. A Long Long Way and the top-10 best seller The Secret Scripture were short-listed for the Man Booker Prize. He was born in Dublin in 1955 and lives in County Wicklow, Ireland.

This was a Readings and Conversations event.

In this episode, Sebastian Barry joined Daniel Mendelsohn in conversation. You can find the companion reading here.

You may learn more about this event on the Lannan website; you may also listen to the audio recording of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Sebastian Barry with Daniel Mendelsohn, 1 May 2019 – Audio

Recorded at the Lensic Theater in Santa Fe, New Mexico on May 1, 2019.

Sebastian Barry is a novelist, poet, and playwright. His latest book, Days without End (2016), tells the story of Thomas McNulty, a 17-year-old fleeing the Great Famine in Ireland by enlisting in the U.S. Army in the 1850s. He is sent to fight Sioux and Yurok Indians and, ultimately, fights in the Civil War. The central love story of the novel is between two men and was inspired by Barry’s son’s homosexual relationship. Of his son’s relationship, Barry states, “I look at them and I think, ‘This is not something that needs our tolerance, this is something we should be emulating. There is magnificence here of soul.'”

The New York Times calls Days without End “a dreamlike Western with a different kind of hero.” He is “an orphan, a refugee from Ireland’s Great Famine, a crack shot, a cross-dresser and a halfhearted soldier, but mostly he’s in love with a young man.” In the novel Barry writes, “A man’s memory might have only a hundred clear days in it and he has lived thousands. Can’t do much about that. We have our store of days and we spend them like forgetful drunkards.” Days without End won the 2017 Costa Book of the Year Award, the Walter Scott Prize for Historical Fiction and the Independent Bookseller’s Award.

Barry’s plays include The Steward of Christendom (1995), Our Lady of Sligo (1998), and The Pride of Parnell Street (2007). His novels include A Long Long Way (2005); The Secret Scripture (2008), named Novel of the Year by the Irish Book Awards and Costa Book of the Year; and The Temporary Gentleman (2014). He has won, among other awards, the Kerry Group Irish Fiction Prize, the Independent Booksellers Prize, and the James Tait Black Memorial Prize. A Long Long Way and the top-10 best seller The Secret Scripture were short-listed for the Man Booker Prize. He was born in Dublin in 1955 and lives in County Wicklow, Ireland.

This was a Readings and Conversations event.

You may learn more about this event on the Lannan website; you may also watch the videos of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Edwidge Danticat with Aja Monet, Reading, 27 March 2019 – Video

Recorded at the Lensic Theater in Santa Fe, New Mexico on March 27, 2019.

Edwidge Danticat is the author of several books, including Krik? Krak!, a collection of short stories that encompass both the cruelties and the high ideals of Haitian life. Danticat’s 2004 novel The Dew Breaker spins a series of related stories around a shadowy central figure, a Haitian immigrant to the United States who reveals to his artist daughter that he is not, as she believes, a prison escapee but a former prison guard and skilled torturer.

When asked about being a role model for Haitians, Danticat replied, “There are millions and millions of Haitian voices. Mine is only one. My greatest hope is that mine becomes one voice in a giant chorus that is trying to understand and express artistically what it’s like to be a Haitian immigrant in the United States.” Danticat was born in Haiti and moved to the United States when she was 12. She currently lives in Miami with her family. She received a MacArthur Fellowship in 2009.

She has received much praise and recognition for her story collections and novels, beginning in 1994 with Breath, Eyes, Memory (an Oprah’s Book Club selection) and continuing through to The Dew Breaker. In that book, her lyrical writing explores equally atrocities and kindnesses, as it moves between the modern United States and the Haiti of memory, quietly and deftly revealing the horrors of the past in prose that is liquid and arresting. Paule Marshall has said of Danticat, “A silenced Haiti has once again found its literary voice.”

Danticat is the editor of The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States (2003), The Beacon Best of 2000: Great Writing by Men and Women of All Colors and Cultures, Haiti Noir (2010), Haiti Noir 2 (2014), and Best American Essays 2011. Her memoir Brother, I’m Dying was a 2007 finalist for the National Book Award and a 2008 winner of the National Book Critics Circle Award for autobiography.

Her most recent book is The Art of Death: Writing the Final Story (2017). The New York Times said, “This book is a kind of prayer for her mother—an act of mourning and remembrance, a purposeful act of grieving… Danticat writes beautifully about fellow writers, dissecting their magic and technique with a reader’s passion and a craftsman’s appraising eye… As a grieving daughter, she wants to understand how others have grappled with this essential fact of human existence; and as a writer—a ‘sentence-maker,’ in the words of a DeLillo character she wants to learn how to use language to try to express the inexpressible, to use her art to mourn.”

This was a Readings and Conversations event.

In this episode, Edwidge Danticat was introduced by Aja Monet, then read from her work. You can find the companion conversation here.

You may learn more about this event on the Lannan website; you may also listen to the audio recording of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Edwidge Danticat with Aja Monet, Conversation, 27 March 2019 – Video

Recorded at the Lensic Theater in Santa Fe, New Mexico on March 27, 2019.

Edwidge Danticat is the author of several books, including Krik? Krak!, a collection of short stories that encompass both the cruelties and the high ideals of Haitian life. Danticat’s 2004 novel The Dew Breaker spins a series of related stories around a shadowy central figure, a Haitian immigrant to the United States who reveals to his artist daughter that he is not, as she believes, a prison escapee but a former prison guard and skilled torturer.

When asked about being a role model for Haitians, Danticat replied, “There are millions and millions of Haitian voices. Mine is only one. My greatest hope is that mine becomes one voice in a giant chorus that is trying to understand and express artistically what it’s like to be a Haitian immigrant in the United States.” Danticat was born in Haiti and moved to the United States when she was 12. She currently lives in Miami with her family. She received a MacArthur Fellowship in 2009.

She has received much praise and recognition for her story collections and novels, beginning in 1994 with Breath, Eyes, Memory (an Oprah’s Book Club selection) and continuing through to The Dew Breaker. In that book, her lyrical writing explores equally atrocities and kindnesses, as it moves between the modern United States and the Haiti of memory, quietly and deftly revealing the horrors of the past in prose that is liquid and arresting. Paule Marshall has said of Danticat, “A silenced Haiti has once again found its literary voice.”

Danticat is the editor of The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States (2003), The Beacon Best of 2000: Great Writing by Men and Women of All Colors and Cultures, Haiti Noir (2010), Haiti Noir 2 (2014), and Best American Essays 2011. Her memoir Brother, I’m Dying was a 2007 finalist for the National Book Award and a 2008 winner of the National Book Critics Circle Award for autobiography.

Her most recent book is The Art of Death: Writing the Final Story (2017). The New York Times said, “This book is a kind of prayer for her mother—an act of mourning and remembrance, a purposeful act of grieving… Danticat writes beautifully about fellow writers, dissecting their magic and technique with a reader’s passion and a craftsman’s appraising eye… As a grieving daughter, she wants to understand how others have grappled with this essential fact of human existence; and as a writer—a ‘sentence-maker,’ in the words of a DeLillo character she wants to learn how to use language to try to express the inexpressible, to use her art to mourn.”

This was a Readings and Conversations event.

In this episode, Edwidge Danticat joined Aja Monet in conversation. You can find the companion reading here.

You may learn more about this event on the Lannan website; you may also listen to the audio recording of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Edwidge Danticat with Aja Monet, 27 March 2019 – Audio

Recorded at the Lensic Theater in Santa Fe, New Mexico on March 27, 2019.

Edwidge Danticat with Aja Monet

Edwidge Danticat is the author of several books, including Krik? Krak!, a collection of short stories that encompass both the cruelties and the high ideals of Haitian life. Danticat’s 2004 novel The Dew Breaker spins a series of related stories around a shadowy central figure, a Haitian immigrant to the United States who reveals to his artist daughter that he is not, as she believes, a prison escapee but a former prison guard and skilled torturer.

When asked about being a role model for Haitians, Danticat replied, “There are millions and millions of Haitian voices. Mine is only one. My greatest hope is that mine becomes one voice in a giant chorus that is trying to understand and express artistically what it’s like to be a Haitian immigrant in the United States.” Danticat was born in Haiti and moved to the United States when she was 12. She currently lives in Miami with her family. She received a MacArthur Fellowship in 2009.

She has received much praise and recognition for her story collections and novels, beginning in 1994 with Breath, Eyes, Memory (an Oprah’s Book Club selection) and continuing through to The Dew Breaker. In that book, her lyrical writing explores equally atrocities and kindnesses, as it moves between the modern United States and the Haiti of memory, quietly and deftly revealing the horrors of the past in prose that is liquid and arresting. Paule Marshall has said of Danticat, “A silenced Haiti has once again found its literary voice.”

Danticat is the editor of The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States (2003), The Beacon Best of 2000: Great Writing by Men and Women of All Colors and Cultures, Haiti Noir (2010), Haiti Noir 2 (2014), and Best American Essays 2011. Her memoir Brother, I’m Dying was a 2007 finalist for the National Book Award and a 2008 winner of the National Book Critics Circle Award for autobiography.

Her most recent book is The Art of Death: Writing the Final Story (2017). The New York Times said, “This book is a kind of prayer for her mother—an act of mourning and remembrance, a purposeful act of grieving… Danticat writes beautifully about fellow writers, dissecting their magic and technique with a reader’s passion and a craftsman’s appraising eye… As a grieving daughter, she wants to understand how others have grappled with this essential fact of human existence; and as a writer—a ‘sentence-maker,’ in the words of a DeLillo character she wants to learn how to use language to try to express the inexpressible, to use her art to mourn.”

This was a Readings and Conversations event.

You may learn more about this event on the Lannan website; you may also watch the videos of this event there. Photos from this event are available on Flickr.

Possibly Related Posts:

Richard Powers with Tayari Jones, Reading, 27 February 2019 – Video

Recorded at the Lensic Theater in Santa Fe, New Mexico on February 27, 2019.

Richard Powers is the author of 12 novels. These works employ multiple narrative frames to explore connections among disciplines as disparate as photography, artificial intelligence, musical composition, genomics, game theory, virtual reality, race, business, and ecology. He has said, “Science is not about control. It is about cultivating a perpetual condition of wonder in the face of something that forever grows one step richer and subtler than our latest theory about it. It is about reverence, not mastery.”

His novels include Three Farmers on Their Way to a Dance (1985), inspired by German photographer August Sander’s 1914 image of the same title; The Gold Bug Variations (1991), a double love story of two young couples separated by a distance of 25 years; and The Echo Maker (2007), whose main character, Mark, suffers a traumatic brain injury in a car accident and becomes convinced that the woman who looks, acts, and sounds just like his sister Karin is actually an imposter.

His most recent book, The Overstory (2018), is a tale of activism and resistance, about the secret language of trees and the people they bring together to save the last few remaining acres of virgin forest. In the New York Times Book Review, author Barbara Kingsolver called it “monumental… The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size… A gigantic fable of genuine truths.”

His fiction and speculative essays have appeared in the New Yorker, Harper’s, Esquire, Grand Street, the New York Times, Conjunctions, Granta, the Guardian, Common Knowledge, Wired, Tin House, Zoetrope, Paris Review, the Believer, Best American Short Stories, and the New York Times Sunday Magazine. His work has been translated into 16 languages. In 2010 he was inducted into the American Academy of Arts and Letters.

Powers’ books have won numerous honors, including the Rosenthal and Vursell Awards, the James Fenimore Cooper Prize from the Society of American Historians, the Corrington Award, a PEN/Hemingway Special Citation, the John Dos Passos Prize for Literature, and two Pushcart Prizes. The Gold Bug Variations was named Time magazine’s Book of the Year. Powers is a MacArthur Fellow, a fellow of the American Academy of Arts and Sciences, and a recipient of a Lannan Literary Award. He won the W. H. Smith Literary Award (UK) for best novel of 2003 and the Ambassador Book Award from the English-Speaking Union in 2004. The Echo Maker won the 2006 National Book Award. In 2014 Powers was among the first Americans long-listed for the Man Booker Prize.

This was a Readings and Conversations event.

In this episode, Richard Powers was introduced by Tayari Jones, then read from his work. You can find the companion conversation here.

You may learn more about this event on the Lannan website; you may also listen to the audio recording / watch the videos of this event there. Photos from this event are available on Flickr.

Possibly Related Posts: